Throughout my career, I’ve been driven by storytelling through sound—getting inspired and using technical expertise to shape how audiences experience film, TV, and multimedia content. Sound is more than just an element of production—it’s a powerful narrative tool that evokes emotion, builds atmosphere, and elevates the overall impact of a story.
As Vice President and Partner at Wonder Wonder, I worked closely with filmmakers, agencies, and production teams, overseeing everything from sound design and mixing to managing post-production workflows. Balancing artistic vision with logistical execution gave me a deep understanding of both the artistic and business sides of media production.
With Big Chair, I’ve collaborated on a wide range of independent films and digital media projects, handling everything from field recording and Foley creation to final mixes for theatrical and streaming release. I experiment with sound to enhance visual storytelling—whether it’s using subtle ambient layers to create tension or designing strong, stylized soundscapes that define a film’s tone.
Beyond post-production, my background as a worldwide touring musician and recording engineer with Sony Music and Universal Records gives me a unique, multidisciplinary perspective. Working across music, film, and commercial production has taught me how to adapt creatively across platforms—skills that are increasingly relevant as media becomes more fluid and interconnected.
I’m also proud of the recognition my work has received - my contributions to award-winning projects such as Signs of Love (Rome Film Festival Corbucci Award) and Maine Office of Tourism (Mercury and Platinum Adrian Awards) demonstrate my capacity for delivering impactful work recognized by industry peers. These recognitions speak to a habit of pushing creative boundaries—something I carry into every research and production project I take on.